With 2020 nearly done, the penultimate gig at the Creative Jazz Club was an optimistic signpost; signalling hope and possibility. After a long and turbulent year, the music had bounced back better than ever and in spite of the obstacles along the way new energies were flowing. In amongst the offerings from our up-and-coming artists were gigs and albums by our finest. Last Wednesday’s Dixon Nacey Band and the release of Kevin Field’s Soundtology, stand out as musical high points. In a year of plague and pestilence, the music only grew stronger. There is a thing about genuine creatives; when the bats start to circle, they work with the chaos and create better. Dixon Nacey is very much in that category; what an extraordinary musician.
Nacey appeared this time, with the same lineup that accompanied him on his Tui award-winning Edge of Chaos album. There were numbers from the album, plus a few new tunes. In addition, he played a blues and two arrangements of Pat Metheny tunes which delighted everyone. I had missed his Ponsonby Road Metheny gig, which everyone who attended, raved about for weeks afterwards.
Nacey is a musician who keeps moving forward, and with each passing year, he reaches new heights. He is less inclined these days to rely on pedals and an uncluttered spaciousness is evident in many of his compositions. What he has absorbed has now been internalised, so there is no over-thinking, and out of that comes clarity and a cleaner sound. This enables him to say more and to give deeper meaning to the notes and phrases and underlying everything is some great writing. Playing like this demonstrates the best features of his Godin guitar, which in return, reveals its best self. The tune above is a recent Nacey composition. New Zealand Jazz at its finest.
Dixon Nacey: guitar, arrangements, compositions – Roger Manins: tenor saxophone – Kevin Field: piano – Olivier Holland: bass – Andy Keegan: drums.
All photographs in this article by John Fenton.
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